Quantum blue (also known as X-lam) is a sophisticated apparatus, created by Tadej Komavec for Teo Spiller’s artistic projects.
Quantum Blue is a digital technology to enter peoples minds. Like with Schroedinger’s cat, it is at the same time in the state of showing and not showing the image. It all depends of the way observer looks at it.
Image doesn’t appear on retina. Watching is a subconscious process of several dedicated neural networks in our brain, each specialized for one partial task of analyzing light, which entered our eyes.
The nerves in our eyes are in a very specific way sensitive to sights with unnaturally strong contrasts. The lightest parts are memorized as light shapes still after we close our eyes. Quantum blue uses this physiological phenomena to create inside our mind images, which don’t in any form exist in the physical world.
In Memoriam Igor Zabel
Just before opening of his exhibition 95-05 in the Museum of Modern Art, curator Igor Zabel died because of unexpected postsurgical complications. Quantum blue gave the audience an opportunity to be in their minds for a moment joined with Igor. I was really surprised how detailed image we get if we invert the video that Quantum blue applicates.
Exhibited in Museum of modern art, Ljubljana, 2005
Bending Einsteins’s Time-Space into a Quantum Texture
Spacial dimensions are often an issue in visual arts. In case of Quantum blue this is very complicated. The thin line is one dimensional in the context of Newtons physics. The observer ads the dimension of time (the fourth dimension of Einsteins time-space) as he moves his gaze with a certain velocity over Quantum blue. One spatial dimension plus the time creates a two dimensional image in observers mind. A two dimensional image is always at a measurable distance faraway from observer (the third spacial dimension). But Quantum blue image is inside the observer, which we could define as a negative dimension. And there of course the dimension of the quantum uncertainty principle, where until someone observes it, there is at the same time an image and no image.
Exhibited at Break 2.3, Ljubljana, 2005
A Pseudo Woodoo ritual
Quantum blue perfect fits a rave party. Intense rhythms, blinking lights and the waving mass create a magic attitude, inviting a techno-sorcery like Quantum blue to join the ritual. Dancers, swinging left-right their heads, are the ultimate Quantum blue users.
Final Flash City 6.4, Izola, 2005
Inside the Web Server
How would it feel to be an electron moving inside the Internet infrastructure?
User enters a dark room. In every corner is one Quantum blue, on the walls between them are loudspeakers. Whenever a file is requested from author’s web server, a synthetic voice tells its name and the nearest Quantum blue shows it’s image. As user follows the voices, coming from different directions, he moves his gaze over Quantum blue and the image of the file from the web server for a moment levitates somewhere in his mind. The content of Internet directly enters his mind.
Exhibited at Heureka ’05, Gospodarsko razstavišče, Ljubljana, 2005
Alphabet City Topography
Combining technology with dance is a big challenge. The strings of digits are the exact opposite of the smoothness of a moving human body. Letters are similar to digits separated entities, transferring meaning only when in strings. In the performance about the 19th century “alphabet war” two dancers played with a suspended Quantum blue, which was showing letters from different alphabets.
Performance at Alphabet City Topography, Metelkova mesto, 2006
The Ghost of Tutankhamun
Making selfie with the famous landmark and than hurry to the next one is the way we perceive culture and history today. Swift, unreal, without depth.
Wanna make a selfie with Tutankhamun’s mask? You can’t, because Quantum blue enables only one: either you or the landmark. To catch the landmark, you must move the camera and your face is blurred. If you catch you face, Quantum blue shows a vertical light line instead of the image. In spite of that, there was a terrible crush around the room with Quantum blue.
Crush in front of the room with Quantum blue at the 10th Cairo International Biennale, Egypt, 2006
* Quantum blue was in 2006 also exhibited on Device.art in Zagreb, Belgrade and San Francisco, where four devices presented four different sacred texts. Presenting texts with Quantum blue is a very special experience, because we know there are texts, but are unable to read them.
** in 2010 Quantum blue was exhibited in Contemporary Arts Museum Celje.